Thunder sounded as a herd of horses broke from a stand of trees, hooves drumming on winter dead grass as they passed. One, the color of butter with black tail and legs, paused beside me, dancing and snorting.

“A mountain lion follows,” the horse said. “Climb on, before it catches you!”

A rustle in the trees. There, between the distant trunks, the tawny hide of a cougar flicked from sunlight to shadow. I turned away, saying, “I’m better at running than riding, thanks.”

The horse leapt in front of me, ears back. “You’re too slow on those two legs. Now hurry up!”

I took a breath, knowing the horse was right, and clambered aboard, nearly slipping several times. A low growl, followed by a frustrated roar and the thump of huge paws. “C’mon, c’mon!” I hissed.

Then I was upright and we were away, wind whistling across my ears. Though my fingers gripped rough mane, I flopped around on the horse’s back like a sack of potatoes. Racing steps of the big cat right behind us had me leaning low over the horse’s neck, holding on for my life. The scent of sweat and fear rose from its skin, adding to my own terror. I couldn’t afford to fall now.

At some point, the sounds of pursuit fell away. Behind us, the big cat stood watching us escape, tail twitching. When at last the horse stopped, I slid down its side onto numb feet, then fell over on my butt.

Looking up at the horse above me, I said, “Thanks for your help, but I hope I never have to do that again.”

The horse shook itself out. “Perhaps next time will be under safer circumstances.” It raised its head, ears pricked toward the danger we’d left behind. “Hopefully, anyway.”

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.