The white glow of a small ornate lantern pushed back the darkness surrounding us like a tiny star. My guide crouched on a rock beside a still pool, holding a common stick with the ring of the lantern hooked on the end. Below, the reflection of the light glowed just as bright, a twin star. But neither my guide’s nor my reflection appeared in the water.
Covering the bottom of the pool, thousands of copper coins of all shapes and sizes glinted like dull eyes staring back at us. Waiting on our move.
Before we could cross the river, my guide had insisted we visit this place to gain passage. I eyed the slow, lazy river passing us by, wondering what danger could lurk within such a quiet channel.
“Can I take one?” I asked him.
“You can try.”
I slid my hand beneath the cool water, cooler than I expected. My fingertips brushed against flat coins, sensing their round edges, bumping along embossed words and images. Coins from all over the world. Meaningless currencies, some no longer even in existence.
At random, I selected an old coin, one enduring a slow takeover of blue-green malachite. This one, I figured, would see me across to safety.
The moment I drew the coin from the water, my mouth flooded with the taste of copper. Surprised, I dropped the coin back into the still water with a minute plunk. Working my mouth, I spat out a glob of blood. It, too, hit the water. I watched as the glob sank.
By the time it came to rest among the piles of treasures, my blood had itself changed into a copper coin. Shiny, new, winking at me in the lantern light.
My guide nodded once. “The river accepts you. Now you may cross.”
Summer’s Latest
Beneath the Bluebonnets: Tales of Terror by Texas Women
Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.
From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.
Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.

Writing the Mother Road: Texas High Plains Writers Celebrates Route 66
Route 66 isn’t just a highway—it’s a legend.
In Writing the Mother Road, the Texas High Plains Writers invite you to travel America’s most iconic stretch of pavement through a rich collection of short works inspired by the sights, stories, and spirit of Route 66. Inside these pages, you’ll find essays, memoirs, historical reflections, whimsical adventures, and imaginative tales ranging from science fiction to fantasy—all tied together by the culture and charm of the Mother Road.
For generations, Route 66 has fueled livelihoods, sparked creativity, and shaped the towns and travelers who crossed its path. Now, as the road approaches its centennial, this anthology celebrates the enduring heartbeat of the Texas Panhandle and the unforgettable road that helped define it.

