Book Release — With Words We Weave 2022: Hope

An exclusive, never-posted tale about our intrepid Hopeful Wanderer graces the pages of Texas High Plains Writers’ most recent anthology — With Words We Weave 2022: Hope. A spiritual sequel to one of the web series flash fictions, “Occlusion” pits the Wanderer against an old, vengeful foe as their blood and everyone else’s starts draining away into nearby plants. At eight times the word count of every previous Hopeful Wanderer fiction, fans of the Wanderer will get more story than ever before.

About the Book

For over 100 years, Texas High Plains Writers has been a part of great storytelling in Texas and beyond.

This year, our anthology offers a collection of short-stories, memoirs, inspirational essays, and poetry filled with hope.

With 22 talented authors, from best-sellers to the first time in print, there is something for everyone. 

Great heroes of legends past sit side by side in these pages with the unsung citizens showing kindness to strangers. Humor, adventure, and nostalgia combine to remind us all that hope can be found anywhere. 

Buy it now: Amazon


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Summer’s Latest

Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.


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