Book Review: Ninth House by Leigh Bardugo


Throughout Ninth House by Leigh Bardugo, Galaxy Stern fights to balance her background as a drug abuser and teen runaway, her lifelong gift (curse) of the ability to see ghosts, known as Grays, and her job working for a secret cultish organization entrenched within the high society of Yale University.

Together with her distant work partner, Pamela Dawes, who resents Alex for losing their boss, Darlington, to an unknown portal, and Detective Abel Turner, who resents Alex for interfering in his murder investigation, Alex must survive where all her worlds clash to do her job and put her own ghosts to rest. But she has more to do with the dangerous events happening around her than she realizes.


For Alex, the opportunity to study at Yale leads to her wholehearted attempt at change. From the drug abuse, from the hurt she caused her mother, from the abuse of the Grays themselves. But in exchange, she must use her gifts in service to the House of Lethe to guard dog the other Societies of the Veil from taking their magic dealings too far, sacrificing the lives of the citizens of surrounding New Haven in the pursuit of whatever they want.

Yet Alex soon learns that if she continues to keep her head down and try to fit in, she will fail the main directive of her House: we are the shepherds. Everyone expects her to let the murder of Tara Hutchins go, but where good girl Alex can get nowhere, the sharp, hardened Alex who has survived worse than anyone at Yale could imagine coils up to strike back. She may not fit into this world, but that lends her the element of surprise.


In her role as Dante of Lethe House, Alex meets Occulus Pamela Dawes and their Virgil, Daniel Arlington, who begins mentoring Alex to take over his role once he graduates Yale. Darlington, well-loved by all as the gentleman of Lethe, struggles to deal with Alex’s presence, as she was chosen as his apprentice for him rather than by him. But with his mysterious disappearance soon after they begin getting along, Alex finds herself on her own doing a job she has not enough guidance to do well.

She and Pamela must team up to uphold Lethe House’s creed when the very dean of the school leaves them high and dry with no help. Detective Abel Turner, recruited from New Haven’s police force as Lethe House’s Centurion, would rather have nothing to do with magic and monsters. But as Alex calls upon the two again and again, they become embroiled in helping her get to the bottom of Tara Hutchins’s murder, whether they like it or not.


I loved so many moments in Ninth House. When Dawes stands up to Dean Sandow for Alex, calling him out on his blaming her for being attacked; when Alex first begins letting her true colors as a sharp-edged, deadly person to deal with show through in order to continue the investigation without the dean’s approval; when Alex gets petty revenge on another student who hurts her roommate; when Alex calls out the main villain for attempting to turn a string of murders into a feminist manifesto. And all the soft moments when Alex gets to, for one or two minutes, enjoy the wonders of magic and of a found purpose.

Leigh Bardugo pulls no punches, so the narrative contains harsh elements and examinations of cruelty and unfairness, considering how trauma can shape a person into the sort who would seek justice at any cost so others won’t have to suffer like her. Everyone who loves magic, hope, kickass women in droves, honorable detectives, underdogs, and petty revenge should read Ninth House.


Since purchasing Ninth House in October 2019, I have read this book twice and loved every second of both readings. I enjoy the high stakes action, the contrast between Yale high society and Alex’s poor, mixed background, her toughness and unwillingness to let injustice pass, and the high energy, witty interactions between the characters.

This fantasy murder mystery examines individual responsibility to protect the weak and seek justice for wrongdoing, but in a low, shifty, clever manner. Not every tale of wrongdoing brought to judgement need be noble and lofty. When the nobility will not take responsibility for the actions of its own, the lowest must rise to take up the mantle. For, after all, we are the shepherds.

My rating:

Rating: 5 out of 5.

Goodreads rating: 4.07

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Book Review: King of Scars by Leigh Bardugo

King of Scars Synopsis

Nikolai Lantsov has always had a gift for the impossible. No one knows what he endured in his country’s bloody civil war—and he intends to keep it that way. Now, as enemies gather at his weakened borders, the young king must find a way to refill Ravka’s coffers, forge new alliances, and stop a rising threat to the once-great Grisha Army.

Yet with every day a dark magic within him grows stronger, threatening to destroy all he has built. With the help of a young monk and a legendary Grisha Squaller, Nikolai will journey to the places in Ravka where the deepest magic survives to vanquish the terrible legacy inside him. He will risk everything to save his country and himself. But some secrets aren’t meant to stay buried—and some wounds aren’t meant to heal.


My Thoughts

While I liked Leigh Bardugo’s Grisha trilogy pretty well when I read it, I’ve been a fan of her books ever since the release of the Six of Crows duology and her anthology of short-stories, The Language of Thorns. So naturally, I borrowed King of Scars from my friend as soon as feasibly possible. She read the entire thing in a day, stopping only for a recharge nap. I might have read it a little slower than that, but only just.

What I Liked


King of Scars follows the incomplete tales of side characters from the previous Grisha trilogy and Six of Crows duology in Nina Zenik, Nikolai Lantsov, and Zoya Nazyalensky — characters fans of the Grisha world have embraced and loved. More specifically, the narrative focuses on that lingering sense of incompleteness that follows victory over a traumatic struggle. What now? How to deal with the ghosts and monsters that haunt the victors? When has the battle truly ended? Though readers need not have read the previous installments of this world, doing so enriches the experience of King of Scars, as it contains constant and thrilling call-backs to previous content in mentions of Alina Starkov, Kaz Brekker and the Dregs, and even vague hints in the direction of The Language of Thorns.


In the Six of Crows duology, readers met Nina Zenik, protege of Zoya Nazyalensky, for the first time, and even got her point of few on several occasions throughout the daring heists and mad schemes perpetrated by the Dregs, the Ketterdam gang she ran with for a while. But her story ended in tragedy and personal trouble, so King of Scars narrates the continuation of her character development as she struggles to lay her past attachments to rest and embrace a new and dangerous power awakened within her, all while attempting to rescue a country that hates her from its own self.

Both Nikolai Lantsov and Zoya Nazyalensky appear in the original Grisha trilogy, but both, as intriguing characters, reach the trilogy end with unresolved problems. Each carry a certain darkness within them, one a hunger for power, the other a hunger for control. If they hope to successfully remake Ravka into a peaceable country, they must each face their own demons, and learn to recognize when the wrong path may appear as the right one.


The ever constant struggle of wrestling ones own demons, sometimes literally. Trauma doesn’t just go away. Torments resurface over and over again. In King of Scars, Ravka is a land beset on all sides by constant war, turmoil, and worry — an aspect reflected in the hearts of its leaders and greatest champions. The more they deal with their wounds, the more their personal ghosts seem bent on manifesting and becoming more corporeal than ever before. Sometimes, facing trouble makes the situation even worse, but it must be faced. Again and again and again.


While the heroes triumph in King of Scars, they also experience defeat and new, encroaching threats. The bad times our heroes feared have arrived at Ravka’s door.

What I Disliked

The resurrection of previously vanquished villains. Maybe Bardugo is just the type who likes to revive the bad guys just to kill them again, but I would have liked to see how she introduced and handled a new antagonist for King of Scars. (There are lots of bad guys in the previous installments and the revival happens pretty early on, so this doesn’t spoil.) But this story is all about wrapping up unresolved issues, so perhaps such a trope fits well with the overall intent.

My Rating: 4/5 stars
Goodreads Rating: 4.28 stars

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Book Review: The Language of Thorns

The Language of Thorns by #1 New York Times-bestselling author Leigh Bardugo


Love speaks in flowers. Truth requires thorns.

Travel to a world of dark bargains struck by moonlight, of haunted towns and hungry woods, of talking beasts and gingerbread golems, where a young mermaid’s voice can summon deadly storms and where a river might do a lovestruck boy’s bidding but only for a terrible price.

Inspired by myth, fairy tale, and folklore, #1 New York Times–bestselling author Leigh Bardugo has crafted a deliciously atmospheric collection of short stories filled with betrayals, revenge, sacrifice, and love.

(Via Goodreads)

About the Author:

Leigh Bardugo
#1 New York Times-bestselling author, Leigh Bardugo

Leigh Bardugo  is a #1 New York Times-bestselling author of fantasy novels and the creator of the Grishaverse. With over one million copies sold, her Grishaverse spans the Shadow and Bone Trilogy, the Six of Crows Duology, and The Language of Thorns— with more to come. Her short stories can be found in multiple anthologies, including The Best of and the Best American Science Fiction & Fantasy. Her other works include Wonder Woman: Warbringer, and the forthcoming Ninth House. Leigh was born in Jerusalem, grew up in Southern California, graduated from Yale University, and has worked in advertising, journalism, and even makeup and special effects. These days, she lives and writes in Los Angeles, where she can occasionally be heard singing with her band.

(Via author’s website)

My Impressions

In stories from the likes of Grimm’s Fairy Tales, the young maiden always receives and overcomes a series of awful and often demeaning challenges in order to marry some vapid prince and live happily ever after with him in the castle. Right? But what if she didn’t? What if someone thought to call into question the faults and foibles of the other characters in these fables and let the heroes make different ethical choices? The fairy tale-style short-stories from Leigh Bardugo‘s The Language of Thorns do just that, twisting and darkening, but also enlightening by illuminating familiar plot devices and calling them into question. Fairy tales have a tradition of presenting moral conclusions and this collection sticks to that tradition, but with a modern spin.

For example, a girl chosen multiple times by her family to slay a monster in the pursuit of riches, even after they have more than enough. A toy soldier brought to life for the amusement of selfish teenagers, but wishing to pursue a will of his own. A forest witch accused of stealing young girls who uses a gingerbread girl to find the real killer. A friendship ending in betrayal and beginning the villainy of the tale to come after.

There wasn’t a thing I disliked about these stories. Breathtaking artwork curls across the corners and along the borders of the pages. Fascinating stories sprawl across the length and breadth of Bardugo‘s imaginary world of the Grisha universe, wearing the coats of familiar fables but revealing themselves as something different and beautiful beneath.

I would recommend The Language of Thorns to anyone who loves fairy tales. This book is also for anyone disenchanted with their rehashed moral themes.

My rating: 5/5 stars
Goodreads rating: 4.48 stars

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