Book Review: Artificial Condition by Martha Wells

Our Murderbot remains ever capable of combat intelligence, but not only does it continue to struggle with social norms, it also now must make decisions for itself, a thrilling but terrifying experience for the newly emancipated SecUnit.

Artificial Condition Synopsis

It has a dark past – one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more.

Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue.

What it discovers will forever change the way it thinks…

(Via Goodreads)

About Martha Wells

Martha Wells has written many fantasy novels, including The Books of the Raksura series (beginning with The Cloud Roads), the Ile-Rien series (including The Death of the Necromancer) as well as YA fantasy novels, short stories, media tie-ins (for Star Wars and Stargate: Atlantis), and non-fiction. Her most recent fantasy novel is The Harbors of the Sun in 2017, the final novel in The Books of the Raksura series. She has a new series of SF novellas, The Murderbot Diaries, published by Tor.com in 2017 and 2018. She was also the lead writer for the story team of Magic: the Gathering‘s Dominaria expansion in 2018. She has won a Nebula Award, an ALA/YALSA Alex Award, a Locus Award, and her work has appeared on the Hugo, Nebula, and Philip K. Dick Award ballots, the USA Today Bestseller List, and the New York Times Bestseller List. Her books have been published in eleven languages.

(Via Martha Wells’s website)

My Thoughts

I was terrible and picked up both Artificial Condition and its sequel Rogue Protocol from the library at the same time so no one could snag them before me. Muahahahaha!

What I Liked

Plot

Murderbot undergoes some serious character changes in Artificial Condition as it works to uncover its past and, in the end, make some decisions about its future. For once it works for humans it chooses, not ones chosen for it by its company, and though its responsibilities change as such, it still gives all its effort to protect them. Almost as if, given the opportunity, bots might be capable of decency when not controlled and governed by corporate overlords. All this while keeping its own identity as a dangerous rogue SecUnit a secret.

Plots, subplots, and revelations populate Artificial Condition, packing action and intrigue into just a handful of chapters that I wished would go on forever.

Characters

In Artificial Condition, our Murderbot remains ever capable of combat intelligence, but not only does it continue to struggle with social norms, now it must make decisions for itself, a thrilling but terrifying experience for the newly emancipated SecUnit. It also has to deal with the responsibility of when those choices go badly wrong for the humans it contracts to protect.

In All Systems Red, Wells casually introduced polygamy into this sci-fi future world. Artificial Condition zooms in on this aspect with the appearance of three young technologists who are married to each other and a few others still back at their base. To cap this off, one of them, Rami, identifies as a third gender, or a tercera (third, get it?), using pronouns like ‘te’ and ‘ter’ (because ’tis’ would just be confusing). I. love. it. This essentially non-binary character acts centrally to the plot in a leadership role for the other two, making choices that drive the story forward.

Theme

Embracing humanity. Sort of. Murderbot would much rather remain the SecUnit it was created to be, but to get the information it wants, it has to reluctantly keep building on its previous character development and manage to act human enough to fool other humans, even going so far as to dress like a human, shedding its comforting armor.

The narrative of Artificial Condition also shows a Research Transport Vessel whom Murderbot dubs ART displaying emotion, both for humans and for MurderBot as it prods its SecUnit passenger toward character growth. (‘ART,’ ‘Artificial Condition,‘ do you get it?) Even a handful of ComfortUnits show something like soul in their decision making, both in positive and negative choices.

All, however, retain their bot-ness, their otherness, their deep-seated difference from humans. I appreciate so much that the narrative arc for freed bots or otherwise doesn’t just focus on them becoming human. They are allowed to simply equip human behavior where applicable and necessary for individual evolution.

Ending

The conclusion of Artificial Condition kicks ass. After experiencing Murderbot’s fighting capabilities in All Systems Red, the reader knows things are about to go down (possibly in flames) as the plot hurtles toward the end.

My Rating: 5/5 stars
Goodreads rating: 4.31 stars


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Book Review: The Death of the Necromancer

High jinks rule the day throughout The Death of the Necromancer. The narrative comes packed with every aspect Victorian-era criminal life has to offer, plus necromancy.

The Death of the Necromancer Synopsis

Nicholas Valiarde is a passionate, embittered nobleman with an enigmatic past. Consumed by thoughts of vengeance, he is consoled only by thoughts of the beautiful, dangerous Madeline. He is also the greatest thief in all of Ile-Rien… On the gas light streets of the city, he assumes the guise of a master criminal, stealing jewels from wealthy nobles to finance his quest for vengeance the murder of Count Montesq. Montesq orchestrated the wrongful execution of Nicholas’s beloved godfather on false charges of necromancy–the art of divination through communion with spirits of the dead–a practice long outlawed in the kingdom of Ile-Rein.

But now Nicholas’s murderous mission is being interrupted by a series of eerie, unexplainable, even fatal events. Someone with tremendous magical powers is opposing him. Children vanish, corpses assume the visage of real people, mortal spells are cast, and traces of necromantic power that hasn’t been used for centuries are found. And when a spiritualist unwittingly leads Nicholas to a decrepit mansion, the monstrous nature of his peril finally emerges in harrowing detail. Nicholas and his compatriots must destroy an ancient and awesome evil. Even the help of Ile-Rien’s greatest sorcerer may not be enough, for Nicholas faces a woefully mismatched battle–and unthinkable horrors await the loser.

(Via Goodreads)

About Martha Wells

Martha Wells has written many fantasy novels, including The Books of the Raksura series (beginning with The Cloud Roads), the Ile-Rien series (including The Death of the Necromancer) as well as YA fantasy novels, short stories, media tie-ins (for Star Wars and Stargate: Atlantis), and non-fiction. Her most recent fantasy novel is The Harbors of the Sun in 2017, the final novel in The Books of the Raksura series. She has a new series of SF novellas, The Murderbot Diaries, published by Tor.com in 2017 and 2018. She was also the lead writer for the story team of Magic: the Gathering‘s Dominaria expansion in 2018. She has won a Nebula Award, an ALA/YALSA Alex Award, a Locus Award, and her work has appeared on the Hugo, Nebula, and Philip K. Dick Award ballots, the USA Today Bestseller List, and the New York Times Bestseller List. Her books have been published in eleven languages.

(Via Martha Wells’s Website)

My Thoughts

Once again, I unwittingly picked up a sequel at the library, possibly because nowhere does the cover of Martha Wells’s The Death of the Necromancer indicate Ile-Rien #2, possibly because my library branch simply doesn’t carry the first in series installments. (Before proceeding to read The Death of the Necromancer, I started Black Heart, the third in Holly Black’s The Curse Workers series and had to put it down on realizing my mistake. Possibly, I myself am cursed.)

However! While the narrative makes what I assume are some allusions to the previous book, they’re explained well enough that I didn’t feel lost without Ile-Rien #1. If you don’t want to check out The Element of Fire before reading this one, you really don’t have to.

What I Liked

Over-Arcing Content

High jinks rule the day throughout The Death of the Necromancer. The narrative comes packed with all kinds of sticky situations, clever escapes, “high-speed” horse cart chases, disguises, traps, schemes, and every aspect Victorian-era criminal life has to offer, plus necromancy. The characters operate on a morally ambiguous level, skirting the edges of ethics without resorting to unwarranted cruelty. (I would’ve accepted something grittier, but it was nice.)

Characters

The ragtag group of Nicholas Valiarde’s followers reminded me very much of the Dregs from Six of Crows, one of my favorite books. I’m sure this has to do more with tropes than anything else, but they were character tropes that I already know I enjoy–the scheming, clever leader in Nicholas, the spitfire master of disguise in Madeleine, the fallen nobleman in Reynard, the surly bodyguard in Crack, etc.

Madeleine herself got not only just as much development as Nicholas but also point-of-view scenes throughout The Death of the Necromancer, convincing me that she functions as a co-main character. On top of that, the plot resolution(s) literally couldn’t have happened without her. 10/10 lady lead character.

There also appeared Inspector Ronsarde and Doctor Halle, who look like Detective Sherlock Holmes and Doctor Watson, but only if you squint. When their names turned up toward the beginning of the narrative, I never expected them to become integral to the story but what fun when they did. Also, Gay Undertones for Days.

Motifs

The apparent main plot of The Death of the Necromancer cleverly fades back into a sub-plot as the narrative progresses, honing in on a comparison of Nicholas’s mindset in his own scheme of revenge compared to that of the main villain. Wells also often encourages the reader to empathize with Nicholas, then reminds us how the other characters see him as someone capable of ruthlessness, how the truth of who he is probably lands somewhere between the two perspectives.

Romance. I’m an absolute sucker for a pre-established relationship. Nicholas and Madeleine had something going on before the beginning of the narrative, with their intimate understanding of each other, their muted pining and worry when apart, their silly attempts at stoicism toward one another. They spent the whole time being partners. In crime. Working together as a team. I ate that right up.

Ending

The final confrontation between our characters and the Big Bad had a lot more running around than seemed reasonable, but the final revelation of the villain and his clash with the heroes did not disappoint. The denouement of The Death of the Necromancer took its time with wrapping up, making sure to tie up any loose ends using elements sensibly pulled from the plot. It also allowed Nicholas, despite his status as some kind of hero-criminal as far as the crown was concerned, to pull the wool over everyone’s eyes one last time, staying true to his clever nature.

What I Disliked

I liked The Death of the Necromancer, but it took me approximately an entire month to read it. (Likely incurring a fee at the library because guess who didn’t bother to renew?) Though the narrative featured many of the things I like–a ragtag bunch of morally neutral criminals, an intelligent mastermind leader, necromancy, a reasonable romantic element, and a realistic heroine–my main complaint comes of the pacing. Much as I said in my review of Sabriel, the somewhat older-fashioned narrative style just felt less punchy and more draggy.

The narrative also suffers some from too many similar names. A number of them start with an R or end in “-ard(e)” so that even up until the end, when I’d become familiar enough with the characters to tell them apart, I still had to stop and orient myself when one of these names reappeared on the page.

Recommendations

I’d absolutely recommend The Death of the Necromancer to fans of Sabriel for the many elements shared between the two, as well as to fans of Six of Crows for the Victorian-era heist aspect. Also for readers who enjoy a more subtle romance and plot integral heroines.

My rating: 4/5 stars
Goodreads raiting: 4.07 stars


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Book Review: All Systems Red by Martha Wells

Only seven chapters long, ‘All Systems Red’ moves along at a snappy pace, following the tale of Murderbot, an angry, dismissive robot learning how to deal with autonomy and other people during crisis. Can relate.

Capture
All Systems Red by New York Times-bestselling author Martha Wells

All Systems Red Synopsis

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

(Via Goodreads)

About Martha Wells

Martha Wells has written many fantasy novels, including The Books of the Raksuraseries (beginning with The Cloud Roads), the Ile-Rien series (including The Death of the Necromancer) as well as YA fantasy novels, short stories, media tie-ins (for Star Wars and Stargate: Atlantis), and non-fiction. Her most recent fantasy novel is The Harbors of the Sun in 2017, the final novel in The Books of the Raksura series. She has a new series of SF novellas, The Murderbot Diaries, published by Tor.com in 2017 and 2018. She was also the lead writer for the story team of Magic: the Gathering‘s Dominaria expansion in 2018. She has won a Nebula Award, an ALA/YALSA Alex Award, a Locus Award, and her work has appeared on the Hugo, Nebula, and Philip K. Dick Award ballots, the USA Today Bestseller List, and the New York Times Bestseller List. Her books have been published in eleven languages.

(Via Martha Wells’s website)

My Thoughts

How All Systems Red wound up on my Goodreads TBR list is a mystery to me. I suspect I must have seen one of my friends mark it as Read and seriously liked the description, which hints at an angry, dismissive robot learning how to deal with autonomy and other people. Can relate, so I snagged it from my local library.

I was not, however, expecting a novella. All Systems Red is only seven chapters long, about 160 pages, but what an excellent clutch of chapters. Tor will be releasing three more novellas of The Murderbot Diaries throughout this year and I already have the sequel, Artificial Condition, on order. I had never even heard of Martha Wells before, but I believe I’ve just become her newest fan.

What I Liked

Over-Arcing Content

With the constraints of the limited page amount, the plot of All Systems Red moves along at a snappy pace, wasting no time with extraneous details or fluff. Yet it avoids sacrificing important story aspects like emotional investment, character development, and plot twists. It’s interesting from start to finish, cleverly revealing bits of the universe through relevant character thoughts, dialogue, and setting description.

Characters

The main character of All Systems Red, which calls itself ‘Murderbot,’ has more personality as an android than many of the main characters I’ve read in the past. It’s shy, smart, and youthful, has interests, opinions, and wit, and embodies a certain sense of true asexual, aromantic, gender neutrality. The story happens in first person and Murderbot makes a point of indicating that it has zero interest in sex or romance, which is the kind of main character I want to read! Skip the romance fluff and get down to important things, like group dynamic observations and interactions or Big Questions. Murderbot also represents a recognizable dynamic of the Millennial generation — under-educated, over-competent, and winging it at any given moment.

The rest of the crew surrounding Murderbot shines each in their own way. Based on the names, readers can divine a diverse group in ethnicity alongside Murderbot’s observations of their eclectic gender orientations and futuristic lifestyles. Many ladies populate the crew, receiving action, agency, and voices throughout.

Motifs

The spacefaring interplanetary exploration motif put me just a little in mind of the beginning of the movie Alien, but with the draggy elements cut out. The plot features a good mix of exploration, action, and mystery.

The Ending

At first I thought the ending of All Systems Red would be just okay. There are big and small resolutions that tie up the plot itself quite neatly; however, the way things appear to go at first leave Murderbot’s personal issues somewhat reconciled, but certainly not complete or satisfied. I greatly preferred the way the plot actually ends, transferring into a sequel with a little meta tag as the last word. I’m considerably more satisfied with the way All Systems Red subverts typical short-story ending tropes, but I recognize such success arises from the opportunity to continue.

What I Disliked

Perhaps because of the point of view of Murderbot, who doesn’t care about distinguishing human characteristics, it was at first hard to tell the other characters apart. Yet as the plot progressed, it became easier to know who was who based on dialogue, actions, and group dynamics, so it doesn’t remain a problem for very long.

The explanation of Murderbot’s crew identity came off as a little convoluted so that I’m still not quite sure what the narrative meant to relate about their background. Possibly a reread would solve that problem, though.

Recommendations

I recommend All Systems Red for fans of Isaac Asimov’s I, Robot and the world setting of the Alien movies franchise (minus the alien horror aspect), as well as for readers looking for a total lack of romantic subplot in science fiction.

My Rating: 5/5 stars
Goodreads Rating: 4.15 stars


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