When seventeen-year-old Valerie runs away to New York City, she’s trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city’s labyrinthine subway system. But there’s something eerily beguiling about Val’s new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends are becoming.
(Via Book Depository)
About the Author
Holly Black is the author of bestselling contemporary fantasy books for kids and teens. Some of her titles include The Spiderwick Chronicles (with Tony DiTerlizzi), The Modern Faerie Tale series, the Curse Workers series, Doll Bones, The Coldest Girl in Coldtown, the Magisterium series (with Cassandra Clare) and The Darkest Part of the Forest. She has been a a finalist for an Eisner Award, and the recipient of the Andre Norton Award, the Mythopoeic Award and a Newbery Honor. She currently lives in New England with her husband and son in a house with a secret door.
(Via the author’s website)
It turns out that Valiant: A Modern Tale of Faerie actually exists as the second in Holly Black’s Modern Faerie Tales series. Not that it mattered much, as this story stood on its own quite splendidly. The narrative may have made one or two references to Tithe, its predecessor, but clearly I needn’t have read it to understand Valiant, because I absolutely took these out of order.
The undertone of Valiant puts me in mind of Maggie Steifvater’s Ballad: A Gathering of Faerie, one of my absolute favorite books — it displays a similar raw hunger, oozing pure enthusiasm if not finesse. An obvious representation of Black’s earlier offerings before experience could smooth out the edges of her style. The narrative itself is a study in edges, where Faerieland meets big city, where drug addiction meets magic, where homelessness meets whimsy. In that regard, it displayed a remarkable likeliness to Neil Gaiman’s Neverwhere.
I enjoyed how such a jagged demeanor overflowed into the main character, Val, and her total jock attitude. Not only does the narrative not focus on refining her into something more feminine, it makes a point of proving how her masculine interests and behavior become integral to the plot’s resoluation. She herself grows increasingly liminal, bearing a unisex name and wearing a unisex identity, until she seems mutable enough for anything and anyone. Capable of navigating the fine line between the mortal and Faerie worlds thrown together in the shadows of New York City.
My rating: 4/5 stars
Goodreads raiting: 3.91 stars
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