I drew in several deep breaths and blew them out, preparing to hold as long as I could. By my count, the constant practice while traversing this twilit forest had me up to a solid two minutes, though I still struggled. I had a feeling two minutes wouldn’t be long enough for what I wanted to see.

Gloom saturated a grassy glade where I sat with my back against a tree trunk, damp earth soaking my pants. A faint path passed through this, the very heart of the forest, on my left, ambling around a massive fallen oak tree. The log itself was ancient, mossy, rotten. Yet locals had detailed strange sightings here, even traded me the trick for getting a glimpse myself. I had to try.

Deep breaths. In and out. It would be worth the price I paid to see this even for just two minutes. Right as dusk changed to night, I sucked in as much air as I could and held. Instantly my heart rate jack-rabbited but I ignored its rapid beat, eyes trained on the log before me, straining in the dark.

A moment passed, two. Faint tinkling jingled through the air. Then a tiny golden glow flared on the log, emanating from a pale mushroom, cap glittering. Scores more followed, dotting the log, shining upon the glade like sunrise. Bejeweled blue butterflies appeared in the air, floating languidly above the glinting mushrooms, each carrying their own sparkling glimmer. Several flapped over to me, alighting in my hair, one on my nose. It smelled like sugar.

Lungs burning, I gasped. The glade went dark, butterflies vanished, the tinkling replaced with mere forest noises, punctuated by my rapid breaths.

I grinned and pumped my fist. That time, I had made it two and half minutes.

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.