On a clear desert night, the crush of shifting sand from just outside my tent woke me. I lay on my bedroll in the dark, listening to the unmistakable sound of footsteps approaching. The gait of my visitor… lurched. Or hopped. When it stopped next to my tent, the shadow of a lengthy, humanoid shape limned against the distant, star strewn sky. Antlers protruded from between long, drooping ears.

It whuffed an animal breath.

My eyes found the tent zipper, expecting any second to see it begin to inch open. Against the canopy between me and the creature lay my bag. I could think of nothing within that would help me.

From the other side of that insubstantial nylon wall, a voice called with a high, thin quality that echoed away into the dunes. “Wanderer,” the creature crooned. Only the word it spoke did not sound like any word for wanderer.

Yet, somehow, that strange word meant me.

It was my name.

Instantly, though, whatever I had heard slid sideways in my mind. Gone, with only the lingering sense of rightness left behind.

I yanked the zipper down and snatched the tent flap open. As I ducked out, I glimpsed the flash of a glowing pair of wideset eyes. “What did you just sa-” I began.

But outside, no tall creature stood. The sands all around were empty but for a set of rabbit tracks leading away from my tent into the night. No second set showed the creature’s approach.

Hope sliced neatly from my chest. Along the graceful crest of a dune, the glint of starlight was a cruel, knowing grin.

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.