The Hopeful Wanderer – A Summer Offering

In a wide-open field of long summer grass stood a lonesome table, covered in gray cloth and bearing a shallow wicker basket. A single shady tree overhung the table, inviting in the over-bright afternoon sunlight. Sweat beaded on the back of my neck and grass crunched beneath my feet as I approached. Behind me lay nothing; ahead, even more of the same. A gentle breeze carried to me the sweet scent of warm fruit.

At the table, I paused beneath the shade, allowing the sweat to dry from my hair. A clear vase of field flowers sat next to the wicker basket and inside the basket were a couple of muffins, cupped in brown wax paper and stuck in the middle with a bunch of raspberries still hanging from their stems. From my bag, I withdrew another of these and set it down next to the first two. No chairs were nearby and I remained standing, eyeing the tall elm tree.

Dark green leaves above rustled despite a lack of breeze. Wood groaned as one of the boughs stretched down, reaching with twiggy fingers and picking up the muffin I had offered. Branch and muffin retracted into the canopy and several crumbs fell to the grass to the sounds of munching.

“Thank you,” the elm tree whispered. “You may enter.”

Just past the table, the view of the empty field and open sky rippled. I put out a hand and slipped through the illusory sheen into a field of raspberry bushes. Their sweet scent hung on the air. Behind me, the table and the tree still stood, appearing faded, as if over-exposed to the sun. Ahead, blue mountains shimmered beyond the field. I set off toward these down a green, grassy lane, avoiding touching a single fruit along the way.

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Summer’s Latest

Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.


Writing the Mother Road: Texas High Plains Writers Celebrates Route 66

Route 66 isn’t just a highway—it’s a legend.

In Writing the Mother Road, the Texas High Plains Writers invite you to travel America’s most iconic stretch of pavement through a rich collection of short works inspired by the sights, stories, and spirit of Route 66. Inside these pages, you’ll find essays, memoirs, historical reflections, whimsical adventures, and imaginative tales ranging from science fiction to fantasy—all tied together by the culture and charm of the Mother Road.

For generations, Route 66 has fueled livelihoods, sparked creativity, and shaped the towns and travelers who crossed its path. Now, as the road approaches its centennial, this anthology celebrates the enduring heartbeat of the Texas Panhandle and the unforgettable road that helped define it.


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