Brushed with soft pink hues in the fading evening light, full white dandelion heads stretched away from either side of a dirt path. Evidence of a wishing festival lay scattered all around me – broken, bald stalks discarded in the dirt. On still air rode the scent of sap and cut grass, warning other plants of the danger of being plucked.

More than half of the dandelion field lay in ruin. Stalks crunched beneath my shoes as I made my way to the first line of puffs still sanding. Rumors said this particular field imparted more potent wishes than most, but only on one day of the year. Today. I knelt and took a living stalk in hand. I had until the suns fell bellow the horizon to make my wish.

A little burst of feathery seeds floated past my face. Someone’s earlier wish. I followed their progress into the smokey blue evening, away until I could see them no longer. Sun rays glanced through the head of the dandelion I held poised to pick, illuminating the clinging seeds like the hundred tiny things I wanted. Yet how they clung, not quite ready to go or else they would have already gone. In what way had I earned a say in that timing?

As the suns slipped away, I sighed and released the dandelion, laying back on the bed of destroyed plants. Better these seeds flew off in their own time and not in mine.

Thanks for reading!

Subscribe for new stories, sneak peeks, book reviews, and updates delivered to your inbox and social feeds.

Links

Summer’s Latest

Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.