“This world is dying.”
A woman stood in the middle of the crumbling living room in an abandoned house. She looked like a specter, with the dim afternoon sunlight struggling in through the dusty windows at her back, with her flowy dark clothes and her flowy dark hair, with the small deer skulls perched on her head in a macabre wreath. But she sounded just like a woman, sad and maybe getting over a cold.
I stood outside a broken bay window, peering into the living room. “I know,” I replied. “Everyone knows that.”
A little flame sparked as she struck a match, setting it to a sprig of some green plant she held. The glow lit up her face, darkening the hollows of her eyes. “I just don’t know what else to do,” she said. Her hard gaze flicked to my face. “Don’t try to stop me.”
“From what?” I asked. But then she dropped the smoldering herbs.
Sparks leapt in all directions and caught on the dry wood flooring, little tongues of flame curling up around the woman’s bare toes. She stepped delicately over them and made for the door, leaving a small inferno behind.
I stared, mouth agape. The woman joined me outside and watched the living room burn with me.
My eyes watered with the sting of smoke. “Why would you do this?”
She shrugged. “As an offering, I guess.” Fire climbed to the rafters and smoke billowed upward, but it was a windless day and the flames seemed disinclined to leave, though it wouldn’t have mattered. People had abandoned this neighborhood long ago.
“As an apology, too,” the woman continued. “To this world, for my part in helping to kill it.”

Summer’s Latest
Beneath the Bluebonnets: Tales of Terror by Texas Women
Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.
From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.
Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.

Writing the Mother Road: Texas High Plains Writers Celebrates Route 66
Route 66 isn’t just a highway—it’s a legend.
In Writing the Mother Road, the Texas High Plains Writers invite you to travel America’s most iconic stretch of pavement through a rich collection of short works inspired by the sights, stories, and spirit of Route 66. Inside these pages, you’ll find essays, memoirs, historical reflections, whimsical adventures, and imaginative tales ranging from science fiction to fantasy—all tied together by the culture and charm of the Mother Road.
For generations, Route 66 has fueled livelihoods, sparked creativity, and shaped the towns and travelers who crossed its path. Now, as the road approaches its centennial, this anthology celebrates the enduring heartbeat of the Texas Panhandle and the unforgettable road that helped define it.


Let’s hope the dying world accepts the apology… Fun story 🙂
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Certainly couldn’t hurt to try! Thanks!
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