“When you said you needed help in your shop, I thought it would be a little more… finished.”

Afternoon light squirmed in through the front door of a very run down rental space, cascading through floating dust motes kicked up by my vigorous pushing of a broom. The floating dust would render my efforts useless later when they settled back to the floor, but I felt satisfied with my little pile of dirt and old leaves, with the clean white tiles left behind.

Nearby, my host knelt, carefully uprooting a sapling from where it had grown through a gap in the floor. Its branches strained toward the sunlight, growing just a little in shadow. A large pot waited ready for it.

“I been doing all this work myself,” said the shopkeeper. “Not a lot of folks willing to help out just for a couple nights in a bed.” She shot me a curious look over the tops of her glasses.

Before I could reply, a sneeze shook me to my toes. The shopkeeper, now also my host, offered me a handkerchief to blow my nose. “Sometimes,” I said with a sniffle, “it takes work to satisfy curiosity.” Said curiosity being at a cloud of dust billowing from a tiny shop tucked between two department stores in a city (usually) devoid of things like dust. “Why here, though? Seems more trouble than it’s worth.”

My host straightened up from repotting the sapling. She looked around at the boarded up windows, furniture so used as to no longer be secondhand, and weeds pushing up from beneath the floor. “I like rescuing things,” she said. “Besides, I’ve wanted to run a shop forever. Figure it’s time to put down roots.”

I gave her a smile to show I understood, not understanding at all.

Thanks for reading!

Subscribe for new stories, sneak peeks, book reviews, and updates delivered to your inbox and social feeds.

Links

Summer’s Latest

Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.