An apparition. As the second sun fell behind a rocky horizon, the conical tail of a long-falling star appeared against the backdrop of deep blue night. Blazing with light, it outshone surrounding clutches of stars. Pointing down toward the disappearing sun like an arrow shot into the heavens, as if someone had taken issue with their sole source for life.

“Disaster…” The whispered word repeated over and over, taken up like a chant among several voices around me. We sat upon the spine of the world, one of many such spiny mountain ranges, and the word seemed to fall away down into the deep, rocky trenches, vanishing into the night.

Still gazing up at the wonder above, I asked, “Disaster for what?”

Eyes and teeth flashed in the dark as faces turned toward me. I had not started this mountain trek with this group, but we’d had the same destination in mind, so I had joined them somewhere between flat ground and here. A thoughtful hum rose from their ranks as they considered my question.

“The oceans may continue to rise,” one of them postulated.

“Bigger earthquakes,” said another.

“Restlessness of spirits.”

“Species extinction.”

“You know,” the last said, “disaster. The apparition is an ominous portent.”

“You forgot acid rain and deforestation,” I said. “All those things happened last year. And the year before. Our planet is dying. But this-” I waved my hand toward the distant comet, “has nothing to do with that.” My hand dropped back into my lap, heavy with the futility of it all. “The only ominous portents are us.”

The apparition, the mere comet, wandered along its journey around the suns. At such a great distance, cold and heedless of our tragedies. No wisdom to impart as it passed.

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.