When the moon drew too close, we retreated indoors and barred the windows shut. Mystified, I helped with the task of preparing for a siege, but once the work was done, I tried to be on my way. The townsfolk would have none of it.

“It’s just a lunar eclipse,” I argued. I was standing in the night dark dining room, satchel over my shoulder.

“Shh!” my host hissed at me. She held a trapdoor open while her children filed into the basement beneath her kitchen, ladder steps creaking under their feet. One of them, a dark, curly-haired child, glanced at me with alarm written across his face before he vanished below. “You’ll bring them on us,” she continued in a harsh whisper.

Outside, a low rasp echoed from the driveway. Every one of us froze, listening. To me it sounded like a plastic bag of wet aquarium marbles rolling across concrete. Rattling. Squishy. Through the dining room window, I spied twin beams of moonlight, roving independently of each other like small, pale spotlights. The creature crossed into the yard and then back to the driveway, around and around the cars parked there. Its slow, insidious motions had a questing, hunting nature.

The moonbeams cut across the window and I dropped to the floor, holding my breath. Glancing to see whether the creature had spotted my host, I found that she had already scuttled downstairs in the wake of her children. She had the door cracked just enough to see me, her eyes wide in the gloom. I crawled to join her on quiet hands and knees.

As I descended into the dusty basement, lowering the trapdoor behind me, I murmured, “Maybe you’ve got a point.” They shuffled to give me space and I let the door fall closed.

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.