While passing a farmhouse late one summer evening, I overheard the weather forecast through an open window, the local meteorologist calling for light showers very soon. Though I saw no clouds in the sky, I took shelter beneath an overhang out in the field behind the house, making myself comfortable as the sun finished passing below the horizon. Hands in pockets, parked on a squashy hay bale, satchel at my feet, I would wait out the coming rain in comfort.
From a nearby barn, some farmhands emerged, the weather report blasting from a radio within. One of them turned it down. The farmhouse back door opened and several of the family members crowded onto the porch. They waved at me and I waved back, puzzled at all their expectant faces turned toward the sky.
Then from nowhere fell drops of light.
They arced in ribbons, showering the field with streaks of gold. Pouring almost faster than the eye could detect, slashing across the inky sky and lighting up the field and surrounding woods as bright as day. As each honey-bright gleam hit the ground, it exploded like tiny fireworks, scattering across the grass in a network of shining webs.
I couldn’t help it; I put out my hand. The sparks glancing off my skin felt like warm afternoon sunlight, nothing more. I let the droplets gather within my cupped palm, collecting there like a pool of golden sunwater, weightless as air. But soon the glowing substance destabilized and broke apart, disappearing into invisibility. The flash left sunspots on my vision.
I supposed it didn’t do to keep the sun. Blinking, I lowered my hand, only a little regretful, and witnessed the bright, brief spectacle until the final drop of light fell to the earth.
Summer’s Latest
Beneath the Bluebonnets: Tales of Terror by Texas Women
Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.
From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.
Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.

