The Hopeful Wanderer – A Waymarker

There was a light shining from beneath the sand. I spied it while walking along the seashore late on a moonless night, chilly surf chuckling around my bare toes. Just a steady glow ringing a patch of emptiness. I guess I already knew what it was when I started digging there, because this had happened a few times now. Not the sand part or the buried part, but the light. I wondered what object would contain it this time, which direction it would seek to send me.

Cold, wet sand scraped against my fingertips and packed beneath my nails as I shoveled mounds aside. Soon my fingers struck a metal handle and, tugging it, I dragged up a lantern caked in muck. When I washed it off in the nearby sea, it turned out to be new and red as blood.

The lantern was full of stardust. Bright, glittering shards, fine as powder, rolled around within the glass globe as I set it upon the sand. The light of ancient stars cast outward from the hearts of these, shining across the waves as far as the horizon and reflecting bright as day off nearby dunes. But its most intense light shot off in one direction. A beam, pointing north and just slightly west, angling away from the sea, bending maybe a little more than the last one had. I consulted the time and the constellations above to verify. Then I shrugged. Now I knew the course, I would get around to following the way marker’s direction eventually.

Gaze following the beam, I wondered where these markers were meant to lead. Yet, somehow, I felt no inclination to follow. Disquiet settled over me. Nothing like sensing danger and everything like being lost.

Who kept leaving these behind?


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Summer’s Latest

Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.


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