Dug several levels into the earth, a double set of stairs twisted around and around each other in graceful spirals – spirals that put me in mind of the arms of a galaxy. Black wrought-iron railing echoed the emptiness of space. This and the marble flooring below suggested opulence and grandeur deep underground. Warm, inviting light illuminated the steps, which were somehow clean despite exposure to the open sky. From my position where raw dirt met carved step, I straightened, taking in the contrasting ruined city around me, reminded of things like illusions and trapdoor spiders.

Below, what I had mistaken for statuary centered between the staircases suddenly moved. A man swiveled his head to look up at me, his handsome face illuminated in the weak afternoon light. He grinned and his smile was all white teeth. Making an invitational gesture, he said, “Come on down here.”

With a shrug, I obliged. The handrail bit my bare palms with cold but warmed as I descended. The man kept his eyes on me, contorting his neck around when I passed behind him. Predatory, hungering. Obvious. At last, I came to a stop before him, hands in pockets, eyebrows raised as if to say, well?

A pause. Then the man lunged forward, fingers outstretched, mouth open wide, wide, wide. But he stopped short, arms windmilling when his feet did not follow. He was stuck to the floor.

“I know of you,” I said, as he collected himself. “The townspeople entrapped you here, so you could not lure their families into your lair.”

His face contorted into misery. “Please free me,” he whimpered.

I shook my head. “Ask the descendants of your victims; maybe they’ll let you out to kill again.” At his hopeful expression, I said, “Somehow, though, I doubt they will.”

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.