I was digging. Cold, dry flakes of snow bit at my bare fingertips, leaching the warmth from them. Knee deep in it, I didn’t dare move any farther forward. She had gone down right here, the snow too light to bear her weight, closing over her head with just a small impression to show where she had vanished.

Breathing hard, I shoveled armfuls of snow aside, sweat dripping into my eyes. I was up to my chest in it now, unable to feel my fingers anymore. How far had she sunk into this snow drift? She’d been tossing handfuls of flakes into the air, laughing at the way they glittered golden white in the morning sunlight. Leaping and dancing with the joy of the first snow.

I had yelled it. “Wait!” Just before she stepped off the ledge. I didn’t know this area, but I hadn’t liked the way the distant line of the rocky shelf curved around right next to her and vanished beneath the smooth plane of snow.

My fingers brushed against long hair. Then I unearthed a waving hand, and the other. Wrapping my fingers around her wrists, I leaned back and pulled hard. Only the snow packed around my knees kept me from sliding down after her. When her head came free, she gasped in a huge gulp of air, coughing up lungfuls of snow. I dragged her back a step, and another, until she rolled onto the safety of the ledge with me.

We lay there like crash-landed snow angels. When she caught her breath, she looked back at the drift that had almost claimed her, the hole fast filling with dry, slithery snow. Then she said simply, “We’ll have to warn the others about that.”

I could only nod my agreement.

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Beneath the Bluebonnets: Tales of Terror by Texas Women

Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.

From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.

Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.