She carried the moon with her – a rounded orb of lunar rock, lit by the invisible reflection of a missing sun, somehow an echo of the real thing hanging in the night sky. She cradled it in her palms like an offering and whispered, “Where is my sun?”
So many had heard her question and gone mad seeking the answer. ‘In the sky’ would not do, nor would any variation. Though she witnessed the sun, and its distant twin cousins, every day, she asked still.
Flicking her gaze to me, she said, “Where is my sun?” Her question burned like the drag behind my belly button pulling me toward her; I had moved too far into her range. Pain weighted her calm eyes, dense as the devastating iron that collapses the hearts of stars.
The very marrow of my bones grew heavy, the next step forward like escaping the grasp of an event horizon. When I reached her, however, I placed my hand atop the tiny moon, soft, powdery dust clinging to my palm. My eyes met hers as I pushed the orb lower. “Your son was at the space station,” I said, “when the life support failed.”
No tears reached those cold eyes, but her voice quivered. “Where is my son?”
“He died at the space station,” I repeat. “You know this. You cannot keep using his gift from his moon landing to drive people mad like this.”
At last, she dropped her hands, the orb clutched at her side. It dimmed and flickered out, releasing its painful weight on my body. I inhaled deeply, expanding crushed lungs.
“My son, my sun,” she murmured, “strangled in the sky that he loved so much.” She brushed her thumb across the gift from her astronaut, her head hung in silent grief.

Summer’s Latest
Beneath the Bluebonnets: Tales of Terror by Texas Women
Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.
From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.
Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.

Writing the Mother Road: Texas High Plains Writers Celebrates Route 66
Route 66 isn’t just a highway—it’s a legend.
In Writing the Mother Road, the Texas High Plains Writers invite you to travel America’s most iconic stretch of pavement through a rich collection of short works inspired by the sights, stories, and spirit of Route 66. Inside these pages, you’ll find essays, memoirs, historical reflections, whimsical adventures, and imaginative tales ranging from science fiction to fantasy—all tied together by the culture and charm of the Mother Road.
For generations, Route 66 has fueled livelihoods, sparked creativity, and shaped the towns and travelers who crossed its path. Now, as the road approaches its centennial, this anthology celebrates the enduring heartbeat of the Texas Panhandle and the unforgettable road that helped define it.

