While ducking under the bone-bare branches of a snowy wood, I came face to face with a pale barn owl. It perched on an aspen branch at the exact height to be eye level with me when I stepped around the tree’s trunk. I found myself close enough to count the small feathers on its face and to become quite familiar with the wicked curve of its beak. I took a swift step backward out of striking range.
“Excuse me,” the owl hooted. The muffling effect of the snow grabbed at the low sound. “I have no dreams of my own and I cannot sleep without them. Would you lend me one of yours?”
I glanced around at the dim afternoon light filtering through the gray clouds above. Nothing else moved out there in the cold. Regarding the owl once more, I thought this nocturnal creature must have been awake a very long time now. “You may keep the dream,” I said. “I will have little need for it back.”
“Very good,” said the owl. “Might I request a dream of home?”
So often was the case that those I met already knew I wandered, I felt a faint surprise. “I am a Wanderer,” I explained. “I have no dreams of home.”
“I know what you are.” The owl blinked canny black eyes. “Not everyone has a home,” it continued, “but all feel a yearning for someplace.”
I stilled, thinking. The owl shuffled its feathery wings, patient. Waiting.
At last, I said, “When I dream of that place, I dream of the night sky.” I wondered if I should give such a thing away after all.
The insomniac owl cocked its head. “That will do nicely,” it said. “But once I’ve slept, I believe I will return it to you.”

Summer’s Latest
Beneath the Bluebonnets: Tales of Terror by Texas Women
Read my eco-horror short “Well Being” in this fabulous new anthology, in which a mother follows strange impulses from tainted water to find her daughter.
From Mary Shelley to Tananarive Due and Mariana Enríquez, women have long shaped horror—often without equal recognition. Living closest to the genre’s edge, women know these fears firsthand: lost autonomy, violence, childbirth, survival.
Set in Texas, a land of haunted histories and increasingly restrictive laws, Beneath the Bluebonnets emerges from the raw intersection of terror and endurance. Written by twelve Texas women writers: R. J. Joseph, Lauren Oertel, L.H. Phillips, Kathleen Kent, Madison Estes, Jess Hagemann, Emma E. Murray, Jae Mazer, Iphigenia Strangeworth, Jacklyn Baker, S.G. Baker and edited by Carmen Gray, this collection is urgent, unflinching, and deeply haunting—stories that refuse to look away.

Writing the Mother Road: Texas High Plains Writers Celebrates Route 66
Route 66 isn’t just a highway—it’s a legend.
In Writing the Mother Road, the Texas High Plains Writers invite you to travel America’s most iconic stretch of pavement through a rich collection of short works inspired by the sights, stories, and spirit of Route 66. Inside these pages, you’ll find essays, memoirs, historical reflections, whimsical adventures, and imaginative tales ranging from science fiction to fantasy—all tied together by the culture and charm of the Mother Road.
For generations, Route 66 has fueled livelihoods, sparked creativity, and shaped the towns and travelers who crossed its path. Now, as the road approaches its centennial, this anthology celebrates the enduring heartbeat of the Texas Panhandle and the unforgettable road that helped define it.

